Although he originally hails from Japan, Sato Yukie (you know, 佐藤行衛) has been a crucial figure in a small but tight knit circle of Seoul experimentalists. For one, he organizes one of the few regular experimental showcases in town, Bulgasari. He also happens to be Seoul's finest exporter of whacked out noise. His improvisations usually involve an electric guitar played with chopsticks, a rotating cast of rubber ducks, light up guns and anything else with a cheap speaker to feed through his pickups. All this crowds a few dozen pedals and electronic devices. The result comes out something like a zany retelling of Kagel's Acoustica plus updated electronics, psyched out wah and tape speed manipulation.