WFMU's Beware of the Blog

A Bunch Of Bleeping Nonsense

"Bleeping" as in "I've got a bunch of new bands for you today that use lots of insane bleepy sounds", not "bleeping" as in "fucking".  This isn't the fucking radio, why would I censor the headline?

All the same, I oughtta warn ya that the video on the right is a bit NSFW.  Both are from Computer Jesus Refrigerator, a San Antonio based duo of grind/noise/gore/bleeping nonsense.  I've been enjoying their songs for months now, but recently noticed that the band has posted a whole slew of awesome music videos on their Myspace.

Kania Tieffer was brought to my attention by her new CD in the FMU new bin, alongside a few other releases from the very nutty French label Le Vilain Chien.  Hyper, ADDified, amateurish ditties reminiscent of Felix Kubin, OCDJ, and a cat walking across a keyboard.

Kania Tieffer - Parc à Thèmes

El G has released approximately 9999,999,999 tapes and CDRs over the years.  Often noisy but with definite pop sensibilities.  The below MP3 is from the "Armelle" 7", also out on Le Vilain Chien.  Really beautiful song, worthy of Radiohead.  Check the official website.

El G - Armelle

Rainbow Arabia sounds pretty exotic and possibly foreign, but it's just some hyper-musically-educated white folk from Cali.  Not that there's anything wrong with white folk.  Check the live set with Trent.  I think they're touring with Gang Gang Dance soon.  Apparently they're big or something.

Rainbow Arabia - Holiday In Congo

Sonic Boom, The History Of Northwest Rock From "Louie Louie" to "Smells Like Teen Spirit"

True, I usually write about the more progressive or esoteric corners of musical obscuria, but don't pigeonhole me! I do love me a good and simple three chord anthem.  I've just finished reading Peter Blecha's new book Sonic Boom, The History of Northwest Rock, from "Louie Louie" to "Smells Like Teen Spirit" and I'm jonesing to dig through my attic to find all my old "Garage Punk Unknowns", "Back From The Grave", "Teenage Shutdowns" and other similar comps.  The book, which focuses almost entirely on the inception of rock through the mid 60s, does a great job of describing the complicated scene that brought about greats like The Sonics (whose incredible first record, Boom, is the source of the book title), The Wailers, The Ventures, Paul Revere and the Raiders and, most famously, the Kingsmen.  And, perfect for FMU fans, all of the obscure, short lived bands and the hits that never were are documented in passionate detail. 

Peter Blecha attacks history from numerous angles.  He covers the racial impact of rock and roll.  He's got insider information on the publicists and marketers who made the deals that made the hits.  He's got behind the scene anecdotes from the bands.  For instance, in one of many sections on the Kingsmen's famous recording of "Louie, Louie", Blecha reveals that during the first take, the band's manager physically forced the recording engineer out of the studio.  During the second and final take, The Kingsmen did not even know that they were recording a final take, they just thought they were running through the song for practice.  And after hearing the playback, which The Kingsmen thought was absolute crap, the manager demanded that the band pay studio fees - when the band couldn't pay, one of their moms fronted the fifty bucks!  A good investment on her part, I must say.

The book doesn't have much coverage even of the late 60s - the way Blecha treats the subject, the late 60s were a time of decline rather than explosive growth.  As easy as it is to see where Blecha's allegiances lie, there's not much reason to discount with his taste.  Sonic Boom is a par none document of the murky, little known events that bred one of rock and roll's strongest regional sounds.

Morally Repugnant Videos I Can't Stop Watching

I had this idea the other day to make a million dollars.  Have a website that has pictures of boobs, and put a poll under each picture that says "real or fake?"  People get satisfaction from their keen discernment while I place a few ads on the page and get rich.

Somehow my moral compass (which I forget exists except for moments like this) tells me I can't really go through with that though.  So then why is it that I don't mind sharing these videos with you even though they espouse misogyny and violence?  Don't know.  Just don't feel bad about it.  Maybe because these songs are addictive as all hell?

On the left is Sleepy D and D-Lo's "No Hoe", a regional hit in the Bay Area that takes its cue from hyphee heroes like E-40.  Just can't get over the vocal delivery, so ridiculous.  On the right is Tempa T's video for "Next Hype".  Music starts about two minutes in.  Does this mean flat tops are considered tough again?  I have watched each of these videos at least 25 times.  And often I pump my fists while watching.  Let me know in the comments section if you're bit too.

Just a Bunch Of Oldie Videos

Actually, it's not really fair to lump all these videos into the oldies category.  It's just become so easy to do so with music videos from the black and white area.  Even on the radio now, oldies seems to include stuff like the Doors and Led Zeppelin.  So, to go along with history's tendency to lump together things that were once differentiated, I'll include some really diverse clips today.  On the top left are Korea's Kim Sisters, the multiinstrumentalist stalwarts, singing "Spring".  Top right is a Caetano Veloso selection from the 1968's Festival de Música Popular Brasileira.  I wasn't aware that Caetano was this much of a rock star.  The crowd knows every word and Caetano is totally elated.  These songs are from my favorite Caetano Veloso album, the 1968 LP. There's actually a lot of great footage from this festival of much smaller Tropicalia acts.  I'd especially recommend this clip from Marilia Medalha e Edu Lobo.

Bottom left is some Japanese freak beat via The Cougars, singing Aphrodite in 1967.  Bottom right is the most oldie thing of this whole bunch, Les Missles singing Sacre Dollar in 1963.

s P L e e N c o F F i N Dygytl Archyvz of Noyz

I really dig it when limited run tape trading labels make their out-of-print releases available for free online.  The Tanzprocesz Records archives, which I found a while back, enabled me to hear a lot of noise I wouldn't have had the bucks for otherwise.  Just the other day I noticed that Spleencoffin Records also has a good amount of out-of-print downloads available with super fancy flash streaming too.  As it's looking, Spleencoffin material will also be available soon on freemusicarchive.org.  Based in Baltimore, Spleencoffin first caught my attention when the par none boxset Ladyz in Noyz arrived in the WFMU new bin.  Turns out Spleencoffin is one of the finer up and coming venues for the noise Body More Murder Land is becoming famous for - so good it actually won "best label" award from the Baltimore City Paper. You can browse the Spleencoffin free online archive here.  Definitely make sure to check out the first disk of the Ladyz of Noyz box that just went up on the archive.  Pictured above is the cover of a new release, El Imperio, from the Uruguayan improv garage outfit Fiesta Animal. Sik.

Oh man, so I just put another thing together that is very much related.  Check out the Mattin online archive of free conceptual music, including a release from WFMU's own Kurt Gottschalk.

Fluxus Vids and Rocksteady Tracks

The great thing about freeform is when you don't have a cohesive post, you can just stick completely unrelated things together and if anyone calls you out on it, you can accuse them of being a colonialist fascist.  Today I've got two very different mines for you to trench through.  The first is the fluxus oriented youtube channel called Art Classic News. Posted below is one of their gems, footage of a 1968 Wolf Vostell installation called E.D.H.R.  From a musical perspective, this clip is striking for it's protoindustrial clangor.  From a multimedia perspective, this particular work was influential as one of the first appropriations of TVs in an installation setting. 

I've also been spending a lot of time lately checking out classic rocksteady sounds from the You and Me on a Jamboree blog.  Tons of full albums downloads from out of print roots reggae, ska and dub, mostly from the 60s and 70s.  Posted below are two of mp3s from albums I've been enjoying the past few weeks.  I'd especially recommend checking out the Ethiopians. Happy hunting.

The Ethiopians - Hong Kong Flu

Clancy Eccles - Fatty Fatty (X-rated version)

To whom it may concern,

I am thrilled to learn of _________'s current opening for ___________.  As a blogger with experience in blogging and blogging, I am an ideal applicant.  For further detail on my qualifications, please find video clip information in the comments section of this post.

My experience as a blogger at WFMU has trained me to find obscure videos of freaks playing synthesizers and pretending to be zombie wizards out in the woods or some shit like that and then to make informed observations about how it's is an interesting combination of black metal, synth pop and prog rock or some shit like that and also that the introduction kinda sounds like the beginning of R. Stevie Moore's Phonography kinda.  My organizational skills will be a daily asset to your office.  Some other bullshit to make it look like I am interesting and talented.  This position is of particular interest to me because I saw it on Craigslist and said to myself, "I probably won't hate this job so much that it will make me want to bludgeon my coworkers."

I am available at any time for an interview and can begin work immediately.  I look forward to discussing this position with you at further length in the near future.  Thank you for your time and consideration.

Best,
Nathaniel Roe

Tito Schipa's Orfeo 9 (film)

Ran across this oddity the other day, 1973's film version of Orfeo 9, a rock opera by Tito Schipa Jr. and Bill Conti, who now conducts at Academy Awards shows these days.  The opera's stage debut was in 1970 and was Schipa's first successful work, although he had previously released a rock-operacized medley of Bob Dylan songs.  Reissues of the CD are in print, but I can't seem to find the film anywhere.  Then again, I'm not so skilled at searching through Italian sites for leads.  A man's gotta know his limitations.  But take this consolation, a 9 minute long clip with some very nice selections.  More selections are available here.

Serene Roots of Korean Free Jazz

I've been working on a feature length article about Korean free music that should appear this June in Wire magazine and wanted to share some of the bounty for you WFMU folk.  Top left is a solo performance by Kang Tae Hwan.  Kang Tae Hwan was improvising as early as the '70s, one of Korea's first free players.  The only Occidental Kang Tae Hwan release is 2003's Love Time, out on the VHF label.  Some things can be ordered straight from Korea though; check this page out (click on Korea Collection). Also, Inconstant Sol blog posted a mega limited Kang Tae Hwan record here. On the whole, however, none of the early masters have left many recorded testaments of their greatness.  Alfred Harth (by his own rights an incredible saxophonist, having performed in Otomo Yoshihide's New Jazz Orchestra as well as in Cassiber with Chris Cutler back in the day) has lived in Seoul since 2001 and has collaborated with many Korean masters, has told me that this is the result of the spirit of their improvisation, which is not directed toward preservation, just toward playing in the moment. You can sense some of that sentiment in the Kang Tae Hwan clip on the top left.  The playing just blows me away, it's so meditative and perfect.  I could listen for hours.  There are more Kang Tae Hwan solo clips here.  On the right is another Kang Tae Hwan performance with Lauren Newton (singer), Miyeon (piano), and Je Chun Park (percussion).  Miyeon and Je Chun Park are two other very important Korean free jazz players, with releases as far back as 1987.

On the bottom left is a recent performance in Seoul with Alfred Harth, Joe Foster, Choi Joonyoung, Jin Sangtae and Jeong Youp Shin.  All these performers are part of the Relay circle of improvisers in Seoul.  At bottom right you'll find more fruit of the relay circuit, a duo by Kevin Parks and Jin Sangtae in a Dotolim performance, more of which you can find here.  I won't give the full report on all these incredible performers for the obvious reasons, but look for the Wire article in June if you haven't already spent all your money pledging to WFMU...

Zyx Til You're Sick

Gotta say, I've been feeling Michael Goodstein's program as of late.  You know I've loved the bubblegum action and the darkwave for a while, but what's got me really hooked lately is the Italo Disco.  I'll put it this way: the only Franco Battiato records I used to listen to were Fetus and Pollution, but now I'm all over disc two of the anthology CD that used to sit under my bed.  Looks like we're not the only ones either, as there are extensive Italo archives up online.  The most fun for me is browsing through the hundreds of consistently mind blowing youtube videos.  From sweet "special effects" to awkward dance moves to nonsensical video plots, Italo can satisfy your innermost longing for camp.  Reposted below are just two of the awesome videos I've found - left is Babaluga with My Paradise and right is Filipponio's All'arrembaggio.  If you have way too much time on your hands, I'd suggest starting your own Italo love affair with Al Bano & Romina Power, Scotch, Fancy and Di Mateo. Most of all, I'd urge you to bow to the youtube collection of Italonex.

So Cal Bubblegum Hippies Relaxing Way Too Hard (videos)

Being recently unemployed is pretty relaxing, I must admit.  But I'm nowhere near as carefree as child star Jack Wild (top left) seemed to be.  Jack Wild is best known as the downtrodden yet sweethearted Oliver in Lionel Bart's musical of the same name.  But Wild definitely embraced that not-so-sweethearted Hollywood teen idol status.  He released three studio albums and, as this video evidences, enjoyed the company of women who are like 3 feet taller than him!  He actually ended up getting messed up on alcohol pretty early in life.  Regardless, great intro, great song, great plot, great accent, just great.  The Gentry's very, very bubblegum "Spread it On Thick" is top right.  Again, just great.  Not only for the quintessentially bubblegum use of double entendre and for drilling the phrase "you the man" into the ground, but also for featuring a man in a very large sombrero.  The clip, you might be able to tell, is taken from a movie - it's the 1967 teen beach party exploitation flick "It's a Bikini World".  Many infos about the film here and another awesome in-film performance by the Castaways here.

OK, so he's not from Southern California, but you can see why this Michael Holm video at bottom left is appropriate.  I don't speak German, but I think perhaps he's saying "dancing and dancing...kissing and kissing"?  Oh dear.  Perhaps you are saying to yourself, "The Mixtures, featured on the bottom right, are maybe relaxing too much, as this song sounds suspiciously like Mungo Jerry."  This is no coincidence, my friend.  "The Pushbike Song" was in a fact a followup to The Mixtures' cover of Mungo Jerry's "In The Summertime".  Since Australian radio was banning British songs from the airwaves at this point in 1970, The Mixtures were able to piggyback their way twice to number one on the Australian charts.  Sadly, the creative well soon ran dry and the Mixtures' next single peaked at #43.  At any rate, two bubblegum videos in bathing suits and two on bikes - how can you beat it?

Heavy Wah, Rubber Duck Squeaks and Manic Guitar Slidage from 佐藤行衛

Although he originally hails from Japan, Sato Yukie (you know, 佐藤行衛) has been a crucial figure in a small but tight knit circle of Seoul experimentalists.  For one, he organizes one of the few regular experimental showcases in town, Bulgasari.  He also happens to be Seoul's finest exporter of whacked out noise.  His improvisations usually involve an electric guitar played with chopsticks, a rotating cast of rubber ducks, light up guns and anything else with a cheap speaker to feed through his pickups.  All this crowds a few dozen pedals and electronic devices.  The result comes out something like a zany retelling of Kagel's Acoustica plus updated electronics, psyched out wah and tape speed manipulation.

Sato Yukie - Yeoboseyo

The above track is a 2000 recording from the "Solo 1977-2000" CD on the now defunct Jabrec label.  The phone call which ends the recording was actually unplanned.  Yukie "was practicing acoustic guitar at home, and suddenly somebody called me. So I picked up the phone and said hallo!  In 2000 we had no place to play noise/experimental music in Seoul, so I usually played at home."  His earlier recordings from this CD reveal Yukie's roots in harsh noise and his unusually early fascination with experimental improvisation.  Yukie has continued to perfect his act in the live setting (often at Seoul's experimental venue Yogiga) with more visual elements added.  Below is a portion of a live set recorded in the Netherlands last year.  More clips from the same show and other shows can be found here.

Scott Bartlett's Offon (video)

Here is Scott Bartlett's 1967 foray into psychedelic experimentalism, Offon. I won't say much about the film because the clip on the right is a brief (though longer than the actual film) documentary on the history and making of the film. Enjoy.

Cool Objects that Poms Have Sex With: Mp3s from Richmond, Virginia

Speaking as a person who has consistently avoided living in places generally acknowledged as trendy, I'm always looking for exciting things coming from unexpected places.  If you tell me your band is from Austin, Portland or (God forbid) billyburg, I'll be hoping that your band sucks.  Your band probably does suck too.

So it was very refreshing to learn about the large amount of good music coming from Richmond, Virginia.  A lot of it seems to be amped up breakcore with a high tolerance for noise and general spazziness.  Jason from Richmond based CNP Records helped me put together this (by no means comprehensive) sampler of some of the town's more interesting exports.

Diamond Black Hearted Boy - Night One very interesting Richmond personality is Diamond Black Hearted Boy, a "post-hiphop artist who draws from the worlds of punk, hiphop, high art, disco, goth, industrial, and traditional african chant in his music and performance."  The myspace.  He's pictured below the fold in this article.

Narwhalz (of sound) - Pomeranian Redneck Snoopy Another of Richmond's most exciting artists is this pomeranian obsessed dude.  His noisy, gameboyed-out ADD beats glitch around faster than a gif animation on a myspace page.  He also runs a venue/gallery in town called Church of Crystal Light.  This dude is nuts, just look at his webpage and you'll see what I mean.  He also did the drawing to the right.

Hot Lava - Apple+Option+Fire I didn't know Hot Lava was from Richmond when I first heard them on Spleencoffin's Girlz of Noyz comp; all I knew was that I couldn't stop listening to their track, Ghosties, over and over!  Turns out they've got many more equally addictive songs.  Cutie indie-pop with psychy swirls, lyrics about video games and, most importantly, an endless supply of hooks!  Apple+Option+Fire is from the new LP Lavaology.  For those in NYC, Hot Lava will play Death By Audio in Brooklyn on January 10th.

Suppression - Maryanne Suppression's new collection of early records is out on CNP, but grind fans might also recognize them from releases on Noise Pollution, Slap-A-Ham, Pessimiser and Clean Plate.  Making this trash since 1992, Suppression continues to play primitive powerviolence but adds newer, noisier developments as well.  This particular track is a collab with harh noise freak Crank Sturgeon.  The extensive discog.

More excellent mp3s and a video below the fold...

Two Lumps of Coal for you Swine!

JK LOL, a truly blessed time to you and yours in this most special of seasons. OK, that just sounded sarcastic. Maybe I'm a bit bitter since this is the first Christmas I've EVER had to spend away from family and friends. But come to think of it, given my family, this might be a good thing. At least I'll be able to watch Lee Han Joo perform tonight. I guess he's a good replacement for the obligatory weird uncle in every family.

Regardless, it's true that these videos here are, technically speaking, lo-fi lumps of coal. On the left is a wild TV performance from Jagatara. I'm not really sure what's going on, but I do know that the punk rocker who seizes the mic and screams is none other than Sakevi of GISM fame. At first it seems like he's just rushing the stage, but the backup singers don't miss a beat so it's not really clear for a while whether the chaos is intentional. Definitely the sort of stage presence that deserves lo-fi tape quality though. On the right is a 1986 performance from German thrashers Kreator.

Next thursday look out for an mp3 laden scene report on Richmond, Virginia! But for now, more coal - a public access set with weird graphics from Government Issue, and trashed out footage of a No Comment set at Gilman Street.

Bring Me The Head of Butch Willis

Ah, so I just learned how Mike Patton performed "Inconsolable Widows in Search of Distraction" from the Adult Themes For Voice album (stream). It's so easy, he just taps his Adam's apple! It's more difficult but still possible to do a similar, more extreme thing without touching your throat. Or at least you can if you're as cool as I am.

I digress. Al Breon's very outsider "guitar voice" techniques in fact informed me about Patton's very insider experimental record. Whereas Patton's vocals are sophisticated and forward-thinking, however, Breon's wailing is totally inane and sounds nothing like a guitar anyway. And so he's perfect to join the band of a true giant of incorrect music, Butch Willis, whom you'll find below. On the left is Butch Willis and The Rocks in a really great performance that ends with a fog machine malfunction. On the right is a '96 solo performance at Galaxy Hut in Arlington, Virginia. I'd also recommend watching this performance of Willis' #1 hit, TVs from Outer Space. As with more than a few outsiders, Butch Willis has some rabid fans - accordingly, you can find a lengthy bio and interview here. Apparently Teenbeat Records is working on a documentary.

New Justice Yeldham Band: RICE屎CORPSE

For those unfamiliar with Justice Yeldham's work, let me just give a brief introduction - Justice Yeldham is a noise musician who plays amplified panes of broken glass with his face. Fans of Yeldham's shocking act will be excited to hear that he has a new project on the way, a band called RICE屎CORPSE (rice corpse being the literal translation of the Chinese word for shit). A recent grant allows Yeldham to live in Beijing, China, where he has recently begun playing shows with a drummer and pianist.

An awesome mp3 (30 minutes of chaos!) of the first live show is up on the myspace page, as well as a video of a practice session and older Yeldham projects. The band is just getting started but a CD release is planned. A live set at SXSW in Austin is possible. About the project, Yeldham says, "I've been rehearsing rice corpse over the last few days and its going great. Li zenghui plays piano and Yang Yang is on drums. The sound after two practices is beginning to resemble what i hoped for, with a jarring offbeat rhythm section accompanied by my free noise." Yeldham pictured left with Sato Yukie, NOT of Rice Corpse.

The Young And Elderly Bascom Lamar Lunsford With Other Old Timey Videos

I forget just how I stumbled upon David Hoffman's 1962 film Bluegrass Roots, which was the first authoritative documentary on the subject. Top left is a segment of the doc, which features plenty of clogging and old timey playin'. The documentary gives a lot of weight to the elderly "Appalachian Minstrel", Bascom Lamar Lunsford, whom you'll see dancing with his wife about four and half minutes in. Lunsford had already been filmed about 30 years earlier, however, in a scene featured in The Times Ain't Like They Used To Be, a too-good-to-be-true folk video compilation with performances from 1928 to 1935. The DVD is in print but if, as with these depression era performers, hard times have got you in a squeeze, all the contents are on youtube. Top right is that clip of Lunsford's band with a cool introduction in which Lunsford hilariously obsesses about gettin' first prize in some music contest.

It's so hard to choose another clip to showcase from The Times Ain't Like They Used To Be, but bottom left is inspired footage of Uncle John Scruggs performing the song Little Log Cabin In The Lane while his kids do the cutest dance you've ever seen! I'd also highly recommend watching Whistler's Jug Band, Bela Lamb, Estudiantina Invencibal and a version of Mary, Don't You Weep by some "Georgia Field Hands". At bottom right, I'm using this post as an excuse to show a great performance of Bayou Pon Pon from an episode of Sesame Street. Anybody know what band this is? P.S. Guess who just got Photoshop...

Thrash Videos of Varying Levels of Stupidity

I can't top that incredible Confessor video Brian posted a few weeks back.  But at least I can post something stupider.  Madness Reign (top left) is definitely the dumbest thing I've seen in a while and the finest example of bedroom metalhead parody I've heard.  From muttered "sound effects" and cheesy graphics to pointless chugging guitar and malinformed vocals, Madness Reign is like the road trip that Bruce Dickinson, Weird Al and Jandek took together last spring break.  I'm also a fan of this guy's dadaist stand up comedy bits - below is a sample.  I'd strongly recommend checking out the webpage - he's got 14 (!) albums out and a ton of music videos, all in the same vein and pretty hilarious.  Top right is Axemaster's "Slave To The Blade."  No explanation necessary.

Madness Reign - Les 26 Caracteres from "Les Divines Jokes Du Diable"

I mentioned this Dum Dum Bullet (bottom left) video before, but it's really hit me how awesome it is.  The guitarist is totally great, they've actually got a pretty unique sound and the singer keeps on showing up in different guises throughout the video!  The song title is "Hey Mum, Who's The Junk?"  Who indeed!  Purgatory (bottom right) is the sort of band that makes me wish I owned a car, just so I could blast this shit while driving over the speed limit.  Heavy midtempo thrash via Slayer with Iron Maideney fist pumping action.  Add a healthy amount of progressive time changes, a bit of falsetto vocals, occasional shredding guitar solo-age and you're JUST under the level of smartness required to be ACTUALLY good.  But this was only the beginning of a bright future: vocalist Jeff Hatrix went on to sing for seminal nu-metal giants Mushroomhead.  Now that's smarts.

Noraebangers, Vol. 1

I myself am usually too embarrassed to do karaoke. The last time I saw karaoke in a bowling alley in Santa Fe, my friend pulled me out by the arm, too pained to even sit in the same room as a 40 year old mustachioed Mexican singing 'She Thinks My Tractor's Sexy' in front of 5 other people. So I really think these Koreans have got it right with their Noraebang idea - a bunch of friends rent a private room together, drink too much soda beer (as Scott would say) and slaughter the classics without slaughtering the audience. These places are on like every other block too, people just love this shit here. Apparently some Noraebangs let you record, since my friend Ben found this tape on the street. It's simply labeled "sound" and WOW, it's a gem. Sounds like it was just a girl and a guy in the room, and the only thing worse than their singing is the quality of this grit covered tape. Actually, I take that back, the songs themselves are worse too. I mean, I would find these songs campy enough by themselves and what's better is this guy is SO feeling it and totally hogs the mic. I like to think that he is trying to impress this girl with his vocal prowess. I also like to think she found someone better real soon. Oh yeah, I almost forgot to mention that at some point a friend showed up to rap. PERFECT. To add to the glory, the tape hisses, slows down, cuts out and generally adds appeal for your average ironically disposed noise geek.

Tape Cuts In | Awwwwwww Yeeeeeeaaaaaaaaahhhhhhhh | Ooooooooo....Alright | This Is My Jam | Rap Cameo | No, I Mean THIS IS MY JAM | Another Crappy Song | Rap Cameo | Tape Craps Out | Tape Overdrives | Dude Tries To Rap and Decides To Sing a Ballad Instead | An Emotional Moment | Her Special Moment In The Sun