by Gabriella Arrigoni
Not always, actually quite seldom, is the distinction between art and absurdity a relevant one. And it certainly doesn’t matter when in a TV show you combine live music, in-studio party, fancy dress, videotapes, punk, disco, anarchism, new wave, visual arts, rap, interviews, phone-in sessions, shaky camera angles, crude advertising and live drug taking. All this featuring guests such as Jean-Michel Basquiat, John Lurie, David Byrne, George Clinton, Fab Five Freddy, Tuxedo Moon, Debbie Harry, Maripol, Iggy Pop, Chris Burden, John Feckner just to name a few. The uniqueness of TV Party, however, was not as a celebration of the apotheosis of the underground, but that this played out on the mass media it rebelled against.
On air for one hour every Tuesday night from 1978 to 1982, TV Party was a piece of DIY experimental broadcasting hosted and conceived by Glenn O’Brien. It pioneered an alternative use of the medium, breaking its rules by looking deliberately amateur and shattering the traditional distinction between the