WFMU has added yet another great podcast: Night People! Your hosts Dave and Andy tackle pressing issues like paranormal activity, UFOs, ghosts, magic, vampires, socks missing from your laundry pile, and other unexplained phenomena. What fun!
Click here to subscribe via iTunes (or head over to our podcast page)
Two of WFMU's newest shows are now also available as podcasts!
Shut Up, Weirdo! with Andy Cohen and Frangry - WFMU's civilized call-in show. Current events a specialty. Your premiere choice for on-air argument, abuse and discord. Subscribe via iTunes (or visit our podcast page)
Radio Freetown with DJ Franc O - West African pop music from the 1970s. Subscribe via iTunes (or visit our podcast page)
WFMU is pleased to introduce a brand new podcast to our stellar roster of freeform in feed form: Cake & Polka Parade with Fatty Jubbo! Head over to our podcast page or click here to subscribe via iTunes.
Fatty Jubbo provides Beware of the Blog with weekly injections of sublimely disturbing art links, and also pops up as a fill-in for WFMU's web-only programs every so often (archives here).
You won't want to miss out on his new podcast, which he describes as "a classy program of children's records, no-wave, noise, prog, 20th century classical avant-garde choral pieces, concrete sound poetry, weird foreign pop and audio debris. Crackpots, incompetents, geniuses... and they speak the gibberish too!"
Mike Lupica is resurrecting his glorious Anti Static podcast during this crucial time, when we Americans are desperately in need of some light at the end of this tunnel we've burrowed ourselves into.
Remember mail order? Remember 'zines? Remember economic prosperity? Remember when mall graffiti and a New Bomb Turks t-shirt actually meant something?
Bring the '90s back! Well, at least get yourself a bi-monthly dose, courtesy of Mike. Head on over to our podcast page to reacquaint yourself with better times. Or click here to subscribe via iTunes.
We would like to remind fans of the Best Show on WFMU that the program is also available as a podcast. Every week, you can easily get automatic digital delivery of all the turlet talk you require and desire. Head on over to our podcast page or click here to subscribe using iTunes (or check out this page in the iTunes Store).
Tom Scharpling and Jon Wurster were recently hailed in the Onion's A.V. Club Blog, and even the iTunes store is showing some love (right up there with Michael Jackson, see below)!
When a celebrity dies, the varied newspaper obituaries rarely reveal anything that isn't common knowledge. However, in the case of the late George Carlin, even some of his most fervent fans were likely surprised to find out that he was once a member of an early sixties comedy team. Several discovered for the first time that he had been a gifted mimic, his abilities putting impressionists like Rich Little to shame (perhaps not a hard thing to do). The clean version of George Carlin has been immortalized on what is commonly and erroneously referred to as his "first album" Take Offs and Put Ons. The clean (and clean shaven) version of Carlin can be seen nightly in most television markets across North America, sitting on a 1966 Tonight Show panel performing his character Al Sleet, the Hippy Dippy weatherman, on an infomercial for Johnny Carson DVDs. Despite all this, the early, square years of George Carlin's show business career remain enigmatic. I grant you these years are not as profound or as important as his precise, scathing, intellectual material of the nineteen seventies and the great HBO specials that followed, but they are a fascinating look into the formative and transformative process of a great mind and the evolution of an artist.
Unfortunately no official biography has been written to date on Carlin's life. The earliest years of his career have yet to receive any comprehensive exploration. In a 1998 interview with Tom Snyder, Carlin said that he had a biography he was "working on now" in collaboration with Tony Hendra. It was the first time he mentioned the project and it has not been referred to since. Until the time when such a book comes to fruition, we can merely piece together tidbits from the several hundred interviews he conducted and some of the ancient footage that has survived in order to trace the path of the baby faced, clean cut, early George Carlin.
WFMU is pleased to announce the addition of a brand new podcast to our roster: Airborne Event Dronecast.
Dan Bodah, who enchants the airwaves each Sunday morning (6-9am) with his freeform program, Airborne Event, will now be doing double-time, filling your MP3 player with a weekly transmission of drones found in the field.
Space out to lovely field recordings, sometimes manipulated or layered into multitrack compositions, featuring droney atmospheres like waterfalls, generators, frogs, subway trips, machines, etc.
Click here to subscribe via iTunes.
Click here to subscribe via other readers.
This just in from Vicki Bennett, the people in People Like Us:
Our "Codpaste" podcast series is now drawing to an end, and as a celebration this we're following what is almost a tradition for Vicki and Ergo - to put the Finale show, a 96 minute MEGAMIX of the Best of Codpaste, as a download on the WFMU blog! Do not play while operating machinery or trying to count.
Codpaste Megamix (MP3)
If you enjoy this great slab of joy, maybe you'd like to listen to the other shows, which are archived below.
Episode 1 - Cartoon Music: Archive / Playlist Page
Vicki and Ergo ride their little bicycles with square wheels and honky hooters and tell you about their love of this funny music. Features, amongst others, the music of Carl Stalling, Roger Roger and BBC Radiophonic Workshop, all collaged with conversation and ridiculously pointless repetitions.
Episode 2 - The Chase: Archive / Playlist Page
Ergo and Vicki show you how fast they can juggle without dropping everything, or at least make very fast music. They play you some of their very favourite speedy rhythms, generally all at the same time, then when it's finished they start it all over again. Features amongst others, different versions of William Tell Overture and Hungarian Rhapsody, and also the misc of Spike Jones, The Comedian Harmonists and Offenbach.
Episode 3 - Hooked On Classics: Archive / Playlist Page
In which Vicki and Ergo revisit the 1970's phenomenon of Hooked On Classics, classical cover versions as well as all things light, orchestral and popular. Features a medley of the best of this fine mulch of classical music with a disco beat, as well as some tangential visits to the world of amateur orchestras. Features Portsmouth Sinfonia, The Swingle Singers, John Oswald and Wendy Carlos, amongst others.
Continue reading "Codpaste with People Like Us & Ergo Phizmiz download time! (mp3)" »
WFMU is pleased to have added a new podcast to our ever-expanding roster: we're now podcasting DJ/Rupture's weekly show, Mudd Up!
Head over to our podcast page to sign yourself up for a weekly dose of Cumbia, Dubstep, Maghrebi, sound collage, expert turntablism, and a smattering of fun guest DJs.
For a quick fix, open up iTunes, go to the Advanced menu, and select Subscribe to Podcast. Paste in this URL and hit OK:
http://wfmu.org/podcast/DR.xml
Be sure to also check out DJ/Rupture's blog, record label Soot, and his latest collaborations with Andy Moor (of The Ex).
If about a zillion hours of WFMU podcasts aren't enough to keep your gigs filled, check out Bowed Radio.
Ohioan Mark Allender's sometimes weekly, 45-minute podcast is dedicated
to stringed instruments of the bowed variety, and ranges from new music
to pretty pop to jazz and stranger things. He's up to 53 episodes now,
and past shows have been hosted by the lovely likes of Carla Kihlstedt,
Jon Rose, Kristen Hersch and Darol Anger (Although it looks like he
might have retired the guest host idea). A quick scan of the 'artists played' list shows he hasn't yet included Charlie Daniels or the Electric Light Orchestra, but there's still time.
WFMU is pleased to announce Codpaste - a new weekly podcast series brought to you by our own People Like Us & Ergo Phizmiz, who will be teaming up and trying to compose collage music for you... with emphasis on the word "trying." It's reasonably rare that music is broadcast to you when it's not all finished, polished and dusted, but we're going to spew out the guts and gore to you, dear listener, so do bring a spoon.
From Monday 3rd December 2007, WFMU will be hosting the podcasts of:
(i) audio sources, the tracks used as the basis for the collage in the episode
(ii) sketches, mixes, and collages combining track elements with added instrumentation, electronics, vocals, etc.
(iii) fragments, layers, and multitracks of the collage compositions
These elements will be tied together by snippets of light-hearted, tangential conversations and introductions and occasional mental overload and verbal meltdown.
Subscribe to this free weekly podcast (and receive an introductory welcome into your iTunes) by visiting WFMU's Podcast page.
Further program information can be found here.
The Forgotten Murray Roman was the name of an article posted a few
weeks ago about a counterculture stand-up comic who is none-too-famous today. Perhaps
the one living person who can tell us the most about Murray Roman is
the man who hired him as a writer on The Smothers Brothers Comedy Hour, Tom Smothers. Here is the transcript of a conversation I had with Tom a few days ago.
Tom Smothers: You Can't Beat People Up and Have Them Say I Love You? lt's relevant now, isn't it?
Kliph Nesteroff: Yeah, it's a very interesting record and I feel that Murray Roman... is a neglected sorta person in comedy history, y'know.
TS: Yeah, I agree. I agree, man. Okay.
KN: He actually released four records in his career, but I guess that one is the most famous.
TS: And that was the best one, isn't it?
KN: Well, I actually haven't heard any of the others - they're quite scarce.
TS: And really old.
KN: So ... where did you first meet Murray Roman and when was the first time you saw him perform?
TS: I saw him perform back in the sixties... nineteen... sixty-one... in Aspen, Colorado and he did ski jokes. Y'know, skiing jokes and cold... snow jokes. And I met him there... and in L.A. later on... in sixty-five and sixty-six, I'd run into him and see him work a little here and there. When we got The Smothers Brothers Comedy Hour, which was nineteen sixty-six... I hired him as a writer on the show... and I always considered... good comedians were always pretty good writers, I always thought. And he was a pretty good writer. Most of his gift was sitting in the writer meetings and throwing one-liners out against the material. That's how he'd find his stuff. He didn't write so well - he talked his writing. We had a couple little pieces where he's on stage on the show... he didn't perform that much on the show... but the reason I hired him was because of that album.
Continue reading "Murray Roman: Reflections of his Contemporaries - Pt. 1: Tom Smothers" »
Eugene Harold Mashontz was a funny comedy writer and performer who seemed to specialize in playing vampires, mad scientists and silly characters with a classic-monster bent. Monsters were big from 1957-1967, especially with children fascinated by all things Frankenstein, Dracula or Wolfman. Famous Monsters was a best-selling magazine (it even spawned an LP), Bobby "Boris" Pickett's Monster Mash was a number one single, Milton the Monster was a popular cartoon, The Munsters and The Addams Family were sitcoms that debuted in the same week, and every city seemed to have a Late Late Show of classic horror movies hosted by a local personality draped in make-up, surrounded by coffins and cobwebs.
Into the mix came Gene Moss. The market was flooded with novelty recordings sung by the living dead after the success of Monster Mash. The list of monster related novelty music is too huge to tackle today, but one of the greats was a full length LP that featured the masterful vocal talents of Gene Moss. It was called Dracula's Greatest Hits. Get your Halloween party started right by listening to the entire, very scratchy, LP here.
Continue reading "Spooky and Kooky: The Career of Gene Moss" »
"Moms Mabley ... She was fabulous." - Rudy Ray Moore
Moms Mabley was one of the greatest comedians of all time. She is widely regarded as one of the most important African-American entertainers that ever lived and as the first bonafide female stand-up comedy superstar. At her peak, she was making ten thousand dollars a week for stage appearances alone. It's ridiculous that a book has yet to be written* about this comedy legend, one of the first to use the stage to advocate civil rights for both her race and gender. The social issues that boiled over in the late sixties were something Mabley had been addressing for decades. When the struggle against war, racism and varied discrimination became the focus of a new generation, Mabley suddenly found herself a bigger star than before, her message embraced by those involved in the fight. Television programming geared to the new youth market regularly booked Mabley and white viewers discovered the joy that the Black community had known about for years. The Smothers Brothers Comedy Hour booked Mabley several times. So did ABC's Music Scene, a program that featured musicians on the Billboard Top Ten, which in turn meant plenty of counterculture performers whose smelly clothes and pacifist postures would normally have had them escorted off the lot.
Hanna-Barbera will always be synonymous with their "Saturday morning assembly line" as 60 Minutes once described it. Although their cartoons were never synonymous with quality, the endless stream of licensed merchandise that was churned out to cash in on the popular HB characters was even more dubious. From their weird line of cigarette smoking figurines to the incorrectly colored comic book adaptations, Hanna-Barbera products rarely achieved even the marginal quality of the cartoons they were based on.
There is an exception to this rule. In 1965, after six years of licensing their characters to the Colpix and Golden record companies, they founded their own label, Hanna-Barbera Records. The company put out, as you might expect, albums based on The Flintstones, Atom Ant, Touché Turtle et al. However, they were also responsible for some of the most impressive (and now sought after) garage rock, psychedelia and rugged soul music of the era - and indirectly spawned a band called Three Dog Night.
Continue reading "From Wall of Sound to Huckleberry Hound: The Vinyl Side of Hanna-Barbera" »
Carl Smith "The Bottle Is Just Fooling You"
Hank Williams "There's a Tear in My Beer"
Mr Swing "Beer Bottle Boogie"
Webb Pierce "There Stands the Glass"
ZZ Top "Beer Drinkers and Hell-Raisers"
Hank Thompson / Bob Wills "Bubbles In My Beer"
Thinking Fellers Union Local 282 "Cup of Dreams"
A.C. Ducey "Beer Beer Bottla Beer"
Cat Stevens "Bring Another Bottle Baby"
Matching Mole "Starting In The Middle of the Day We Can Drink Our Politics Away"
Bob & Doug McKenzie "Beer Hunter"
The Tiger Lillies "Lager Lout"
Space Needle "Beers In Heaven"
Bessie Smith / Billie Holiday "Give Me A Pig Foot and a Bottle of Beer"
George Jones
Homer Simpson "It Was A Very Good Beer"
Johnny Russell "Red Necks, White Socks, & Blue Ribbon Beer"
Joe Belock "Daddy Wants A Cold Beer"
Wreckless Eric & Amy Rigby "You can't be a man without a beer in your hand"
Frank Zappa "Rudy Wants to Buy Yez a Drink"
Claude King "51 Beers" / "Beers & Pinball"
Dee Mullins "Beers"
Light Crust Doughboys "Beer Drinking Mama"
Replacements "Beer For Breakfast"
Rocky Bill Ford "Blowing Suds Off My Beer"
Scotsmen "Beer Bust Blues"
Smiley Maxedon "Give Me A Red Hot Mama and An Ice Cold Beer"
Goatmen "Beer Bitch" (external link)
Kris Kristofferson "To Beat the Devil"
Pink Floyd "Paint Box"
King Missile "Happy Hour"
Ill Ease "One Hell of a Bender"
Z-Rock Hawaii "Chuggin'"
2 Nice Girls "I Spent My Last $10 on Birth Control and Beer"
Captain Beefheart "Long Neck Bottles"
Mario Lanza "Drink, Drink, Drink"
(All links are internal WFMU realaudio samples unless otherwise noted)
Meanwhile, at 2:40 this afternoon (and every Friday throughout the Summer 2007 WFMU air schedule), I'll be drinking and talking about beer on the air with a bunch of pals. Today we'll be sampling suds provided by WFMU Computer God Doron. I'm podcasting this weekly 20 minute debauch (and even occasionally the after party), feel free to subscribe here. There's even a flickr set devoted to the after party. Past beer posts here, here and here. Past beer-obsessed radio shows via all this
Been drinking a lot of beer this summer. Most of it on the radio. Mmm mm mm, that's so nice I want to watch beer movies. Let's see what youtube can contribute.
Viv Stanshall's ad for Ruddles Real Ale
The legendary Bonzo Dogger swallows the worm and dives down his own peculiar rabbit hole in order to shill for swill.
Yellow Magic Orchestra's ad for Kirin Lager
Or is it Kirin Lager's ad for Yellow Magic Orchestra? The tables turn when they start flashing snapshots of the Band As Young Men.
Gilberto Gil Approves of FREE BEER
The co-cap'n of Tropicalia and Brazil's current Minister of Culture shouts out not just free beer, but GOOD beer!
Live! Nude! Fermentation!
Like it says.
(Thanks Brian Turner for the YMO and Jeff Moore for the flickr set!)
Next week, more zymurgological ephemera -- Beer songs!! I'd love to hear your suggestions in the comment section of this post.
Meanwhile, at 2:40 this afternoon (and every Friday thoughout the Summer 2007 WFMU air schedule), I'll be drinking and talking about beer on the air with a bunch of pals. Today we'll be sampling suds provided by Listener / Volunteers Therese and Colleen. I'm podcasting this weekly 20 minute debauch (and even occasionally the after party), feel free to subscribe here. There's even a flickr set devoted to the afterparty. Past beer posts here and here. Past beer-obsessed radio shows via all this.
Happy hour begins early here at WFMU, thanks to a new segment on Scott Williams' program: Scott's 2:40 Beer Tasting. Now available as a podcast, you are cordially invited to imbibe Scott's weekly choice of brew along with his rotating panel of beer enthusiasts. Why there's Scott on the left, raising his (mostly-empty) glass to salute all of you new podcast listeners. Plan ahead for the coming weeks of 2:40 fellowship by visiting Scott's playlist page.
Subscribe to the 2:40 Beer Tasting podcast by hitting up WFMU's Podcast Central, or just open up iTunes, go to Advanced - Subscribe to Podcast, then copy and paste this link into the box.
Ok, I can't take it, that photo to the left is too hilarious. Let's have some fun: create your own caption in the comments section.
Admit it, you miss Irwin. Ever since Mr. Chusid took a summer break from the WFMU air schedule, we've been without our weekly fix of rum-soaked calypso, a segment of Irwin's show known as Muriel's Treasure. And everyone knows that an absence of rum could utterly devastate the entire leisure season...
Thankfully, summer will be saved because WFMU is now podcasting Muriel's Treasure twice a week. Mash up a mojito, fire up your iTunes, and kick back to Irwin's vintage island grooves. Muriel's Treasure features calypso, soca, mento, and pan from the golden era of Caribbean music. Irwin now has so much idle time that he's started a Muriel blog!
Sign yourself up for the Muriel's Treasure podcast by visting WFMU's podcast page, or just open up iTunes, go to Advanced - Subscribe to Podcast, then copy and paste this link into the box.
If calypso ain't your thing, fear not! WFMU offers 17 other great podcasts for your listening pleasure, with more on the way...
When stand-up comedian Joe Rogan confronted notorious joke stealer Carols Mencia in the middle of "his" routine last February it spawned an internet phenomenon. Rogan suddenly had legions of fans and Mencia was quickly discredited. Video footage of Mencia performing material that belonged to other comedians flooded video-sharing sites. The incident spawned several blog entries, print magazine articles and news channel stories about famous joke thieves through history. There were the standard references to Milton Berle and Robin Williams and the occasional mention of Dane Cook. One story from comedy history fell by the sidelines. Don Adams was a joke thief.
Most people don't even realize that Adams was a stand-up comic. Everyone knows him as the star of Get Smart, but the character of Maxwell Smart was in fact based on Don Adams' nightclub persona. Adams was never really one to produce his own material, but then again, neither were most nightclub comedians of his era. Almost everyone solicited material from writers and Adams was no different. His childhood friend, Bill Dana, grew up to be an accomplished comedy writer having been hired by Steve Allen to work on the original Tonight Show. With Dana's help, Adams was able to enjoy a successful stand-up career - but not a particularly honest one.
Continue reading "Would You Believe Don Adams was a Joke Thief?" »
