Country Fuzz Spectacular (MP3s)

The racket made by a fuzztone guitar has been described as the sound of two bees fighting inside of a tin can. 

Ask your friends to give you an example of this crazy menacing sound and they're likely to name Satisfaction by the Rolling Stones.  Or maybe they'll refer you to Jimi Hendrix, The Yardbirds, or even Davie Allan & The Arrows, who recorded tons of fuzzy guitar instrumentals for biker movie soundtracks.  Given the rock and roll reputation of the fuzztone sound, those are all pretty understandable responses. 

I'm here today, though, to share with you some fine examples of country music fuzz.  While that might sound counter-intuitive it actually makes perfect sense given the fact that the fuzztone sound was created by the legendary Nashville session picker Grady Martin.  Martin's immense talent was used to great effect on thousands of recordings, probably none of which were more influential than the rock and roll sides he cut with Johnny Burnette Trio in Nashville in 1956.  On songs like Honey Hush and Train Kept A Rollin' (MP3), record buyers heard Martin cut loose with astonishing levels of distortion that hinted at the fuzztone sound he accidentally created a few short years later.

It happened in the summer of 1960, when Grady was hired to work on a Marty Robbins recording session in Nashville.  While recording the tune Don't Worry, a malfunctioning channel on the mixing board caused Martin's six string bass to be recorded with an insane amount of distortion, a sound that would come to be called fuzztone.  Despite the jarring sound, the record was released as it was originally recorded, fuzztone and all, which turned out to be a successful gamble.  The record bolted to the #1 position on the Billboard country charts and #3 on the pop charts. With results like that, it's really no surprise that other country artists soon started experimenting with fuzztone sounds on their own records.

Glen Snoddy, the session engineer, saved the malfunctioning channel on the mixing board and brought it out upon request.  Grady used the effect on several other records including one of his own, The  Fuzz by Grady Martin & The Slew Foot Five.  Soon enough, Snoddy saw the commercial potential for a device that would produce the fuzztone effect on command and sold the idea to the Gibson Guitar Corporation, who marketed the Maestro Fuzz Tone in 1962, the first commercially available fuzz-type unit.

Oddly enough, the Maestro Fuzz Tone was originally pitched as a device that would allow a guitar to replicate the sounds of brass or woodwind instruments like the saxophone, tuba or violin.  For an example of using the fuzztone effect to ape the sound of a saxophone, check out Phil Baugh's One Man Band, below.  Despite Gibson's marketing strategy, thrill-hungry teens had other plans for the fuzztone sound and eventually it was a garage band staple.  Throughout the 1960's, the effect was used on a surprisingly large number of country records, most of which came from Nashville, although some trickled out of Bakersfield as well.  Because most people don't associate the fuzztone sound with country music, these are precisely the fuzz records that I find most intriguing.

No doubt I've overlooked many fine country fuzztone records in the rundown below but what the hell. It's a pretty good starter kit, I think.

MP3s:

Marty Robbins - Don't Worry (1960) Columbia.  Here it is, the first recording that can be described as having fuzztone on it.

Carl Butler - Wonder Drug (1962) Columbia.  This great fuzz-based tune comes from a guy far better known for his straight-ahead honky tonkers.  Image #1,  Image #2

Claude Gray - Stone Heart (1962) Mercury

Darrell McCall - Got My Baby On My Mind (1963) Philips.  McCall was the front man for Faron Young's band and also served time as one of Ray Price's Cherokee Cowboys.  Here he cuts loose with one of the fuzziest country records ever.  The tune was written by Harlan Howard.  Image

Glen Garrison - City Of Sin (1964) Kapp

Ferlin Husky - I'll Sail My Ship Alone (1966) Capitol

Willis Brothers - Ruby Ann (1966) Starday.   The Willis Brothers dip their boots into the fuzztone pool with this track, originally recorded by Marty Robbins appropriately enough.

Willis Brothers - Soft Shoulders, Dangerous Curves (1966) Starday.  The first few seconds of this record sound exactly like a scorching garage punk combo at work.  Then the Willis Brothers start singing and it gets even better.   Image

Wanda Jackson - This Gun Don't Care Who It Shoots (1966) Capitol  Image 

Jimmie Rodgers - Rhumba Boogie (1966) Dot.  Great fuzzed up version of Hank Snow's 1951 smash by the guy who hit it big with Honeycomb in 1957.  Image

Skeeter Davis - If I Had Wheels (1966) RCA.  There's no other way to put it...this is a very annoying song.  It sounds like something Roger Miller passed on during the abrasive novelty stage of his career.

Kay Adams - Little Pink Mack (1966) Tower.  This LP was reissued a few years ago on the Sundazed label and is well worth snagging if you're fan of the Bakersfield sound.  Image

Kay Adams - Big Mac (1966) Tower

Phil Baugh - One Man Band (1966) Longhorn.  Cool song in which Baugh makes his guitar sound like the banjo, steel guitar, stand-up bass and sax.  The regrettably brief fuzztone comes when he imitates the sax.

Charlie Louvin - Cash On The Barrelhead (1967) Capitol.  This one comes from an LP Charlie released 2 years after his brother Ira's death.  It's comprised solely of songs they recorded during their long career as a brother act.  Image

Jean Shepard - My Mama Didn't Raise No Fools (1967) Capitol.

Johnny Darrell - Mental Revenge (1967) United Artists.  Nice version of a song written by Mel Tillis, who actually hit the charts with his own version in 1976.  From Darrell's second LP, which also features a fine version of Porter Wagoner's Cold Hard Facts Of Life.  Image

Chesley Carroll - Hippie From Mississippi (1968) Minaret.  Very little fuzz in this one until the end when the abused hippie packs his bags and heads for San Francisco.  Good clean hippie-bashing fun.

Waylon Jennings - Six Strings Away (1968) RCA

Wayne, Pat & Keith - I'm Tired Of You Satan (196?) Country Happy-Tones.  It's records like this that make me proud to call Atlanta home. Stay with it until the end to enjoy the sound of the reverb tank getting a good swift kick.  Image

David Lamar - Service Station Man (196?) Marlin.  Yep, a tune about the challenges of working at a service station.

Hank Locklin - Hot Pepper Doll (1968) RCA.  This goofball number features Hank bragging about his bride to be and her culinary talents.  Food/sex metaphors fly as he describes her hot cooking.

Buck Owens - Who's Gonna Mow Your Grass? (1969) Capitol.  Many of Buck's fans were hardcore traditionalists, but he wasn't necessarily averse to throwing them a curve ball every once in a while.

The Buckaroos - Anywhere USA (1969) Capitol.  Another one out of Bakersfield.  Lead vocals here are handled by Don Rich, Buck Owens' lead guitar player and right hand man.

Webb Pierce - The Good Lord Giveth And Uncle Sam Taketh Away (1975) Plantation.  Right off-hand, I can't think of any other country fuzz tax protest numbers cut by Country Music Hall of Fame members.

Merle Haggard - The Runnin' Kind (1977) Capitol.  Merle's guitarist Roy Nichols is heard here playing fuzzy notes through the tiny Radio Shack amplifier he used for practice in the band's tour bus.

Charlie Walker - T For Texas (1978) Plantation.  This is a pretty cool update of an old favorite, but the synthesizer keyboards are a little out of place.

Grady Martin - The Fuzz (1961) Decca.  This audio tour concludes with a 1961 single by the creator of the fuzztone guitar sound.  This one's not really country, but it's a cool follow up to Don't Worry from the man who got the ball rolling.

Since I'm somewhat of a musical ignoramus, I'd like to thank guitar players Deke Dickerson and Chad Proctor for lending me their expertise as I wrote this article.

Comments

[King Daevid MacKenzie]

...the Wanda Jackson and Charlie Louvin mp3 links need fixin'...

[King Daevid MacKenzie]

...geez, that was quick. Good job...

[stiple]

Appreciate the write-up Greg. Enjoy hearing those early examples using fuzz.

[Rufus]

Hell of a list.

[John Trembly]

So wait a minute, Paul Burlison isn't the fuzz lead on "Train Kept A Rollin'" by the Rock'n'Roll trio then?

[SS]

A true service to humanity this post is!

[Holland Oats]

i always figured that 'train kept a rollin' solo was the direct precursor to the velvets' 'run run run'...

[Holland Oats]

ps - this is post of the year imho!!

[Little Danny]

Absolutely amazing. Thanks you for this!

[Who Walk In Brooklyn]

Excellent work, and a good pick up on Johnny Darrell too, tho' I think I like Waylon's version of "Sweet Mental Revenge" best of all. I have about half those sides but had never heard the Willis Brothers (better double-check my Starday/Gusto truckstop tapes) or that brilliant late period Webb. I'm thinking there's at least one Dick Curless tune & maybe a Stonewall Jackson that could be on here too but it's still a great list-- bravo!

Regards,

The Music Director
WWIB Community Action Radio

[Rory Murray]

I wonder if Huey Lewis had 'Wonder Drug' by Carl Butler in mind when he wrote the tune 'I want a new drug'. If so, his song sucks by comparison.

[Doctor Gogol]

Here is probably the greatest country fuzz track ever.

Bobby Zehm-Sitar Pickin Man

http://rapidshare.com/files/73676159/Sitar_Pickin_Man.mp3.html

Not only does it have fuzz, but also sitar.

[doctot gogol]

Those Kay Adams Tower Tracks... If its fuzz and on Tower, thats Davie Allan!

[ick]

I do not mean to offend. If you like this music, that is fine by me. I'm just one of those who can't stand country-western because of the insipid lyrics.
I have nothing against CW musicians, as they are all talented practitioners of their craft, no better or worse than other genres, but all the fuzztone in the world can't save those lyrics.
The purpose of this post is to ask this question: Is there such a thing as a country-western instrumental? I had hoped to find one among this bunch, but after listening to four of them, I couldn't take it any longer.

[Holland Oats]

speedy west?

[BenjamenWalker]

yes - what a post! I have always been a fan of "who's gonna mow your grass" what a tune - and I have always wanted to see a list like this

thanks mucho!

[kittrakittra]

Groovy article except that it was NOT a malfunctioning channel in the board. It was a loose tube in Grady's amp. Hank Garland developed his own way of creating a fuzz effect. I can't remember how but I think he turned the gain knob all the way up and the volume way down?
Someone will know.

[Dave Friedman]

Great job! Thank you for a great collection of fuzzy goodness!

The "malfunctioning channel in the board" is referring to "Don't Worry" (1960), not "Train Kept A-Rollin'" (That and "Honey Hush" are the two songs that got fuzzed-up because of a loose tube in the amp in 1956). But I believe that was Paul Burlison who played the main riff on those two songs. Grady was definitely present and played lead on at least 10 Johnny Burnette & The Rock N Roll Trio recordings.

For the fuzz effect on "Don't Worry" I read that Grady "overloaded the channel on the tube desk" with the guitar going direct-in, and that's how he got the fuzzy sounds on that recording, and used the same method on "The Fuzz" done in '61.

[Lazy John]

Other good ones - Sanford Clark's "The Blade," Bobby Braddock's "Gear Bustin' Sort of a Feller" and Red Sovine's version of "Girl on the Billboard" (well, not really fuzz, but nearly fuzzy reverb).

[Lazy John]

Hell, the lyrics are the best thing about country music! Another good one - Lefty Frizzell's "Gone, Gone, Gone."

[Lazy John]

Great country instrumentalists: Joe Maphis, Merle Travis, Speedy West and Jimmy Bryant, Roy Lanham, certain Junior Brown cuts. There are many, many country instrumentals.

[Lazy John]

Case in point: http://www.youtube.com/watch?v=Oi4W3qH4xxs

[Ted Hering]

Fascinating summary of early fuzz guitar! Thank you! I came across a 45 rpm on the Smash label in 1962 or 1963 (in the cut-out box, which means it was old, even then) - "Della" by Lee Hazelwood. Beautiful bass fuzz backup for Lee's vocal! I've wondered ever since how unique this item was. (Lee, of course, produced the Duane Eddy "Twangy Guitar" records years earlier.)

[Richard]

There are dozens of C & W instrumentals many of which were top 100 hits
Floyd Cramer,Chet Atkins,Jerry Kennedy (as Cornbread & Jerry) for starters

[Richard]

There are dozens of C & W instrumentals many of which were top 100 hits
Floyd Cramer,Chet Atkins,Jerry Kennedy (as Cornbread & Jerry) for starters