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October 15, 2012



this is radical. not just the audio material, I mean, but this is the first instance of a retrospective, ex post facto look at manson that I've come across. hopefully it's not the last one; I think that nearly 20 years having passed since the first record is more than enough time to relieve manson of the tiresome "waning shock rocker" label some folks still carry around from early 2000s (or gleaned from his flaccid solo work). in retrospect, records like portrait, antichrist superstar, and mechanical animals sound fresher to me than contemporaneous records by reznor--and even if you disagree, manson is definitely the last/biggest word on the 90's industrial pop-metal sound.

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he's willing to give it a heroic guess. "It was a gradual thing," he says, calling from his Los Angeles home and speaking in a soft English accent. "I had been working with all these other people, my heroes as I like to call them, and I hadn't been doing any of my own work, I realized, for 15 years or something. I wanted another go at it. So

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